Final volume in Larsson's Millennium Trilogy and the focus switches to Lisbeth Salander, the girl with the dragon tattoo, misanthropic hacker and survivor. She has to face the power of the Swedish state in two guises: a corrupt group of secret operatives and the State proper.
Salander faces murder charges: she has the unwanted help of the crusading magazine Millennium and editor Blomqvist's sister, a lawyer. Against her she has the state, the spies, Hell's Angels and a psychopathic killer who feels no pain. Can she use her extraordinary skills (computer hacking, disguise, violence) and will her actions hinder those who are trying to help her? Well, yes and yes are the obvious answers but one of Larsson's skills lies in handling the different threads of the plot, bringing them together and hurling them apart as necessary, like speeding cars trying to knock each other off the road.
More of the secrets of Salander's tormented past are teased out, explaining how the confrontations of her adult life are just about inevitable. Yet the only person who wouldn't use that past as excuse or explanation is Salander herself.
All this is neatly counterpointed by the good guys of the law agonising over the intricacies of the Swedish constitution (don't knock them, look at how long it takes to free an innocent person in the UK, then wait eight years for piddling compensation because a judge doesn't like you). Some of the final resolution of these conflicts is a little rushed and flawed, almost as though it's the author who's trying to convince himself rather than the reader. A minor cavil.
Recommended? Absolutely. Thrilling, horrible, violent, sad, ultimately uplifting. Make sure you read this as the last of the three though.
See The Girl With The Dragon Tattoo -- The Book and The Movies for a discussion of books and both Swedish and US movies.
Showing posts with label dragon tattoo. Show all posts
Showing posts with label dragon tattoo. Show all posts
Wednesday, 1 December 2010
Tuesday, 30 November 2010
Stieg Larsson: The Girl Who Played With Fire
Second in the Millennium Trilogy, the astonishing set of works from Stieg Larsson. Like The Girl With The Dragon Tattoo, this fully justifies the hype as it continues the adventures of crusading journalist Blomqvist and the anti-heroine Lisbeth Salander. Blomqvist is working on an exposé of the sex trafficking industry in Sweden, dragged deeper in after the murder of the journalists who began the investigation. Salander is implicated in those murders and goes on the run.
Larsson again weaves the pain of Lisbeth Salander around the slightly calmer journalistic happenings and we learn more about the horrendous mistreatment of Salander through the years. Abused as a child at home, abused in institutions, she has developed coping mechanisms and skills that confuse the authorities but serve to shield her and save her life. Now she cares little for society and less for the fate of those who are directly trying to harm her. The police hunt for her, initially mistaken and ultimately corrupt, is almost another plotline as she continues on her way, deciding her own directions whenever able.
The writing is gripping, the pace is relentless, the characters are finely limned. There's a thriller here, a detective novel, a walk through the Swedish justice system and a morality tale. Though very much a Swedish novel this will appeal to anyone who likes their books intelligent and demanding. One caveat: you are much better reading this after The Girl With The Dragon Tattoo.
See The Girl With The Dragon Tattoo -- The Book and The Movies for a discussion of books and both Swedish and US movies.
Larsson again weaves the pain of Lisbeth Salander around the slightly calmer journalistic happenings and we learn more about the horrendous mistreatment of Salander through the years. Abused as a child at home, abused in institutions, she has developed coping mechanisms and skills that confuse the authorities but serve to shield her and save her life. Now she cares little for society and less for the fate of those who are directly trying to harm her. The police hunt for her, initially mistaken and ultimately corrupt, is almost another plotline as she continues on her way, deciding her own directions whenever able.
The writing is gripping, the pace is relentless, the characters are finely limned. There's a thriller here, a detective novel, a walk through the Swedish justice system and a morality tale. Though very much a Swedish novel this will appeal to anyone who likes their books intelligent and demanding. One caveat: you are much better reading this after The Girl With The Dragon Tattoo.
See The Girl With The Dragon Tattoo -- The Book and The Movies for a discussion of books and both Swedish and US movies.
Monday, 29 November 2010
Stieg Larsson: The Girl With The Dragon Tattoo
First volume in the world-wide success that is Stieg Larsson's Millennium Trilogy. This combines a whodunit for a decades-old murder, a journalistic exposition of financial shenanigans, an array of personal relationships, a social commentary and more. Most importantly, it introduces the two main characters: financial journalist Carl Mikael Blomqvist and one of the most unusual (and unwanting) heroines of crime fiction for decades: Lisbeth Salander.
Salander is the girl with the dragon tattoo: she is the girl mistreated for years by the asylums and social services of Sweden, she is the hacker and fighter who goes unnoticed by all bar a few. Dismissed as stupid, near-autistic, a nonentity by those in authority, abused by professionals, her gifts and her courage drag her up to a crucial role in this book.
Okay then, I'm not sure if those two paragraphs will have scared you off or left you curious. Hopefully the latter and you're reading this third paragraph! Larsson's novel is a triumph of a debut: gripping, dark, incident-packed and written in a style all of his own. Slow in starting however, read only the first few pages and you will misjudge the book. Read a few chapters and you'll be hooked. You'll probably also be shocked and outraged at some of the content but that shouldn't put you off -- this is a book that plays you like a fish on a line. Order the next one in the trilogy before you finish this one -- you'll be angry with yourself if you have to wait for more.
Daftest comment from a reviewer (though overall he gave a favourable review): "It's hard to find fault with The Girl With the Dragon Tattoo. One must struggle with bewildering Swedish names" Patrick Anderson, The Washington Post.
Well yes, one might expect a few of those in a book set in Sweden, written by a Swede!
See The Girl With The Dragon Tattoo -- The Book and The Movies for a discussion of books and both Swedish and US movies.
Salander is the girl with the dragon tattoo: she is the girl mistreated for years by the asylums and social services of Sweden, she is the hacker and fighter who goes unnoticed by all bar a few. Dismissed as stupid, near-autistic, a nonentity by those in authority, abused by professionals, her gifts and her courage drag her up to a crucial role in this book.
Okay then, I'm not sure if those two paragraphs will have scared you off or left you curious. Hopefully the latter and you're reading this third paragraph! Larsson's novel is a triumph of a debut: gripping, dark, incident-packed and written in a style all of his own. Slow in starting however, read only the first few pages and you will misjudge the book. Read a few chapters and you'll be hooked. You'll probably also be shocked and outraged at some of the content but that shouldn't put you off -- this is a book that plays you like a fish on a line. Order the next one in the trilogy before you finish this one -- you'll be angry with yourself if you have to wait for more.
Daftest comment from a reviewer (though overall he gave a favourable review): "It's hard to find fault with The Girl With the Dragon Tattoo. One must struggle with bewildering Swedish names" Patrick Anderson, The Washington Post.
Well yes, one might expect a few of those in a book set in Sweden, written by a Swede!
See The Girl With The Dragon Tattoo -- The Book and The Movies for a discussion of books and both Swedish and US movies.
Stieg Larsson
Stieg Larsson was a Swedish journalist, little known outside his homeland and even then only familiar to those who read his financial and political articles. Nothing prepared the world, and I use "world" advisedly, for the trilogy of novels he was to produce. The three manuscripts were delivered shortly before his death in 2004 and have since, as happens far too rarely, justified the rapturous clichés from all sides. They truly are amazing works, in concept, scope and execution.
Scandinavian authors (and poets and musicians) bring a certain bleakness to their work. The good ones use it as their canvas, the great writers weave it in to the lyricism of the words they produce. Larsson combines that lyricism with a style based on his journalistic expertise and an expert sense of timing to produce great sweeping novels that never let up.
I've just deleted the words "he throws in" as they would be a mis-description. Along the way he gently injects moments of pain and horror, tempering the novelist's craft with the journalist's avoidance of editorialising. Where a lesser writer might lapse into buckets-of-blood excess, he guides readers to form their own opinions and emotions. He doesn't need to state that something is wrong or a huge injustice, his readers do it for him.
After reading the trilogy I was left almost angry that his early death has robbed us of more. If this is the quality of his first works, his later ones would have been magnificent.
The Millennium Trilogy reviewed:
The Girl With The Dragon Tattoo
The Girl Who Played With Fire
The Girl Who Kicked The Hornet's Nest
The Girl With The Dragon Tattoo
The Girl Who Played With Fire
The Girl Who Kicked The Hornet's Nest
There are a couple of sad footnotes to his demise. An unfinished fourth manuscript is reliably said to exist. More importantly for those close to him, he died intestate and his partner, Eva Gabrielsson, did not therefore inherit what is now estimated at a £30 million fortune from the three novels. An unseemly feud between her and his father/brother have seen her cut out of the picture. Said Stieg's father, Joakim, "We found out in January 2005 that we would automatically inherit everything. I wrote to Eva and explained that under Swedish law we had to accept the will, but we could choose to give everything - his half of the apartment, and his savings - to her. It came to around £150,000." Good of him. The only thing that all apparently agree on is that the unfinished manuscript will stay unfinished and unpublished.
"Eating in Sweden is really just a series of heartbreaks." Bill Bryson
 |
| Original cover: see Peter Mendelsund's blog |
See The Girl With The Dragon Tattoo -- The Book and The Movies for a discussion of books and both Swedish and US movies.
Subscribe to:
Posts (Atom)